We have ten weeks until Star Wars – Episode 9 – The Rise of Skywalker releases, and conveniently, there are ten films in the series that come before it (yes, I’m counting the spinoffs). To view Episode 9 with the proper perspective, and gain shameless views for my site, I’m going back to watch all ten movies and review them with fresh eyes. Now, before I get into the first movie, a couple of notes.
First off, I love Star Wars, always have, always will, but on this run through I’m going to be looking at them a bit more critically. So, know that while these reviews might harp on the films, they are still some of my favorites.
Second, my watching order. I’ve thought about this for a while and am going with a modified version of the Ernest Rister order. I may have lost some of you already but let me break it down with a picture to explain who the heck an Ernest Rister is and why I’m following him.
Now we have that out of the way, let’s talk about the first film.
Rogue One – The First Star Wars Story
From the moment the movie starts Rogue One tries to carve a unique space for itself in the Star Wars universe. There’s no opening crawl, and instead we’re thrust straight into the action, a first for the Star Wars series, and a good indicator that this sits outside the mainline films. Unfortunately, in an effort to set a new tone and quickly introduce us to all its characters, Rogue One’s first hour feels very disjointed in both tone and filming style. In the first thirty minutes we’re introduced to a myriad of new planets never seen on the screen, and each is barely given enough room to breathe before the film cuts somewhere else. This is understandable given the film’s already two-hour run time, but it can definitely be confusing, even for a fan of the series.
Putting aside the jumpy first half, Rogue One does introduce some memorable characters with the standouts in some of the more minor roles. Personally, K-2S0, yet another sassy robot, and the pair of Baze and Chirrut are some of the most interesting characters, despite not being the leads. K-2SO’s one-liners help break up the film’s darker tone with some comic relief, Chirrut gives us some insight into what happened with the Jedi temples after Order 66, and Baze carries a damned big gun. Saw, played by Forest Whitaker is another standout side character, but he’s given so little screen time, that its hard to really enjoy his performance.
Getting to the leads, their characters aren’t bad either, but Cassian Andor, Rogue One’s captain, swaps between cold-blooded assassin and suddenly hopeful rebel at the drop of a hat. While I like the idea of showcasing a more problematic character in Star Wars rather than another cookie-cutter hero, Cassian wasn’t that. Instead, he came off like a half-baked Han Solo with more dramatic flare and it just didn’t work.
Jyn Erso on the other hand is a bit more interesting. Born the daughter of the Death Star’s architect, she’s got plenty of reasons to be confused by the way the factions of the world work, and her character works best when she’s all the powers at be. Unfortunately, the story of Rogue One ends up being pretty cut and dry, leaving a simple black and white position for her character to take. When it comes to siding with the plucky rebels, or The Empire, hell bent on destroying whole planets with their shiny new Death Star, there’s not much of a choice. There wasn’t anything the writers could have done to ameliorate this as the plot was set from the get-go, but it does shortchange an otherwise memorable character.
There’s also a few returning characters that are a heavily mixed bag. Through the magic of ridiculously expensive CGI, a not-so-believable Grand Moff Tarkin returned, and to be honest, he felt unnecessary. The scenes with him were distracting just because of the uncanny nature of his animation and didn’t do much to further the plot. Vader on the other hand is a true badass, aside from possibly one of the worst lines in Star Wars history…
Yeah, oof, and this is in a series that had the lines “I hate sand” and “She died of a broken heart”. Even with those in mind, this is by far the worst line in the entire saga. On the bright side, the rest of his screen time is memorable and sets up his entrance in the next film beautifully. Come to think of it, that’s what Rogue One is best at overall: setting up A New Hope.
At its core, Rogue One is a film about filling one of the series’s biggest plot holes and making it seem like a stroke of narrative genius. As a quick refresher, and another spoiler, Episode 4 ends with the rebels blowing up the immaculately constructed Death Star by having a farmer shoot 2 torpedoes into an exposed vent on the station’s surface. This causes a chain reaction that blows the whole damned thing up. Originally, fans were left to believe this was a terrible design flaw on the Empire’s part, but Rogue One has a better answer: sabotage.
Rogue One’s narrative of an engineer at odds with the Empire’s goals of creating a planet-destroying weapon works, and creates a believable reason for the Death Star to be more vulnerable. It’s aspects like this, bridging the gap between movies where Rogue One really shines, and most of them happen in the film’s back half. The last forty-five minutes of Rogue One are arguably some of the best in the Star Wars franchise. The battle for Scariff is memorable, has a point, and unlike many of the other films, does a fantastic job of demonstrating the human cost of such an effort. It gives more weight to A New Hope and shows the audience exactly what the cost was to set up Luke’s miraculous trench run.
Overall, despite these misgivings, I still really enjoy watching Rogue One. It’s a fun film that gives us something different from the mainline saga. The battles are intense and easily some of the best in the series, most of the characters are memorable, and we are introduced to some cool new worlds, albeit briefly. The script’s tone and some of the more gratuitous fan service (looking at you CGI Tarkin) were definitely not necessary, but they don’t take the film down as a whole.
Final verdict: 3.5/10 – Absolutely worth watching if you’re a fan, and gives great context that somehow makes A New Hope even better.
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