Star Wars – The Re-Review – Episode 8

Here we are, at the end of the Skywalker Saga, almost ready for Episode 9. It’s been a long process with good movies, bad movies, and some that floundered in between. Today, I’m taking another look at Episode 8 – The Last Jedi, arguably the most controversial film in the Star Wars series. Critics lavished it with praise, and yet audience scores told a completely different story. I remember loving Last Jedi when I first saw it in theatres, and it definitely holds up on the re-watch. So, let’s get into it, feel free to fight me in the comments or on Twitter if you disagree, I’ll be waiting.

Here’s a quick refresher on where I scored the other films so far: Rogue One (3.5/5)A New Hope (4.5/5) The Empire Strikes Back(5/5)The Phantom Menace(2/5)Attack of the Clones(.5/5)Revenge of the Sith (3/5)Return of the Jedi (4/5), and The Force Awakens (4.5/5). You might notice, I’ve skipped Solo, but I will come back to it at a later date. I just got busy making an audio drama, a podcast, and writing a holiday story for y’all.

Last Jedi’s opening is incredible. It’s got humor, tension, great space fighting, and feels like it carries some real weight. For the first time in the series, we’re shown the consequences of running in, guns blazing, and staying until every last fighter is gone. The Resistance is nearly broken at the beginning of the film with only a handful of ships left to stand against the ever-increasing presence of the First Order. Despite all that, Poe is still joking with General Hux while he’s stalling for time in their master plan, and I love it.

Poe’s character is delightfully flawed in all the ways you’d expect from a hot shot pilot. Take him out of space and he would fit in easily with Tom Cruise’s Maverick from Top Gun. The only problem is, historically, Star Wars has never shown any consequences for that kind of behavior. In all the previous films, being a good pilot was enough to get you through three movies without losing anyone all that important along the way (unless you turned to the Sith). That’s why it feels so important to watch Poe fail in this movie and fail repeatedly.

About halfway through the film, Yoda says to Luke: Failure the best teacher is. This movie could not encompass that lesson more. From Luke’s failings as a Jedi Master, to Poe’s misguided hatred of Commander Holdo, or the half-baked plan on the Casino Planet, Canto Bight, it’s all about the main characters failing. A lot of people raged against that, and I don’t understand why. Part of me believes they were uncomfortable with so many of the lessons being handed down by women in positions of power, but that’s a rant for another time.  

Fuck yeah, Yoda commits arson, what else did you expect?

The main complaint I hear about Last Jedi is that it doesn’t feel Star Wars enough, and I frankly don’t see it. The thirty minutes on Canto Bight are exactly the kind of side plot shenanigans we’d expect, complete with a sweeping shot of a sweet alien Casino and prison breakouts with loveable rogues. The only missed opportunity there was having horse racing instead of pod racing… I mean come on, when I saw the casino rumble, I was excited and then immediately disappointed. Sure, the b-team spending their time releasing a bunch of alien horses was a bit cliched, but Canto Bight on the whole was such a cool creation, that I’m willing to forgive it a bit.

Now this… isn’t podracing, but it’s still pretty great

Luke’s entire training of Rey is exactly like what Yoda did for him on Dagobah, just extended and adapted for a modern audience. Rey also faces the dark side in a way that’s more real than any character we’ve seen before. That’s right, I mean you, Anakin. Her struggle is palpable and only underscored by her constant, mysterious connection with Kylo Ren. Together, they’re learning more about each other and themselves, and their final meeting led to one of the most epic saber fights I can remember. Is it disappointing to see Snoke go out so quick? Yes. Do I believe he’s gone entirely, no, because as Luke says: No one’s ever really gone.

I mean, this is pretty savage…

A quick aside, my money is on Snoke being some kind of avatar for the nearly-dead Emperor and that we’ll watch that play out in Episode 9. Luckily, if I’m wrong, you can tell me real soon.

 Getting back to my thread, if Luke’s training and Canto Bight weren’t Star Wars, the final ground assault on Crait absolutely is. This last stand against an army of armored AT-ATs and a miniaturized Death Star cannon is excellent and well shot. Watching the speeders kick up trails of red dust as they fly toward their inevitable doom was one of the cooler shots in the film. The resolution of the battle in the form of Luke’s last stand is powerful, badass, and exactly how I wanted him to go out. He’s cheeky to the very end, and still has one last lesson to teach his padawan. IF THAT’S NOT STAR WARS, I DON’T KNOW WHAT IS.

Ranting aside, watching the main characters learn from their own failures and the failures of others sets up the end of the movie perfectly. As The Resistance is starting to rise from the ashes and recover, so too are our beloved heroes. Poe finally gets his command, but he’s learned a valuable lesson, and will make a better leader because of it. Finn’s suicide mission is aborted by the very person who stopped him from running away in the first place. The list goes on, and I love the way Rian Johnson tied all these lessons together.

Overall, The Last Jedi was a very enjoyable breath of fresh air for the series. It would have been very easy to pump out another cookie-cutter Star Wars film, but instead, Johnson gave us something we had never seen before. Once Episode 9 comes out and ties up the story, I think we’ll find more people revisiting Episode 8 and truly appreciating what it set up. It might be rough around the edges, but Last Jedi still holds a spot near the top for me.

Home for the Holidays – A Nick Ventner Tale

The following is the first chapter of a holiday Nick Ventner Tale. If you like wendigos, booze-ridden monster hunters, and a bit of cheer, read on 🙂

1 – The Suburbs

Snow fell in heavy flakes on the windshield of the beat-up sedan. “You sure this thing is going to make it through the storm?” Nick unscrewed the top of his silver flask and tried desperately to get a few more drops out of it. Somehow, on the three hour drive out of Midway, it had all disappeared. He wasn’t sure, but he suspected some sort of water demon might have had a claw in it.

     “I’ve done this drive plenty of times, Nick.” James hands gripped the steering wheel calmly. The weak, yellow cones of the headlights tried to cut a path through the snow, but barely illuminated ten feet in front of them. The highway, usually bumper-to-bumper with traffic, was almost completely empty. Occasionally, they’d pass another vehicle, gathering snow after its owners had abandoned it, but no one else was fool enough to still be out.

     “Maybe we should turn back to Midway, get ourselves a couple of handles and spend the night drinking every time we see a snowflake.” Nick shook the flask violently, rattling the metal stopper. “I could have sworn there was more of this.”

     “You drank it before we even hit the onramp. I believe your words were: How fast do you think I can—”

     “Drink this flask, alright, I get it.” Nick tossed the empty flask to the floor. “Why would anyone live out here anyway?”

     “Parkview is a nice place for those who don’t like the hustle and bustle.”

     “Quite a few murders for the burbs if I remember right.”

     “That was over twenty years ago, and I’ll remind you, you wanted to come.”

     Nick sighed and slumped into the seat. “Only because you said there would be free food. I don’t know if you’ve seen the financials lately, but after the Cerberus in the sewers, no one is jumping to hire us.” It had been a damned good fight, but so messy for Public Works the following morning. Pissing off civil servants was never a good way to drum up more business. “Fucking unions,” Nick muttered.

     “Maybe if you hadn’t have pumped it full of thermite right next to a gas main, the explosion would have been smaller.”

     Nick huffed and leaned his head against the window. The glass was cold, calming what was sure to be the start of a raging hangover if he couldn’t get to more booze soon. “We might have been that thing’s chew toy if I hadn’t.”

     James sighed. “Maybe we could use a bit more planning for the job we’ve got coming up in Clearwater?”

     Nick laughed. “The tabloid job? You’re staying in the car for that one. It’s going to be a quick in and out, nothing more.”

     “You ever fought a sasquatch before?”

     “It’s just a man in—” Nick stopped as the radio turned on suddenly, flipping between stations rapidly and playing unintelligible garbled static. A mix of Christmas music, weather warnings and talk radio blasted through the car at full volume. Nick slapped at the dial trying to get it to turn off, but the noise sent sharp pain coursing into his temples.

     James reached out and turned the dial to off, but the radio continued to whine and sputter. Ahead of them something ran across the road, visible only briefly in the headlights. Nick had a chance to see mangy, grey fur before James slammed on the brakes. The car started to spin immediately, sliding sideways through the freeway like a drunken acrobat.

     “Jesus, James, turn into the spin!” screamed Nick, wishing once more that he had been more thoughtful with his flask rations.

     James turned the wheel, gripping it with white knuckles and the car skidded slowly to a stop. Looking through the fogged windshield, it was difficult to see anything beyond the falling snow.

     “What was that?” asked Nick.

     “Probably a bear. They started moving out here a few years ago after the forest fire.”

     “A bear, in the dead of winter?”

     James sighed. “Do we really need to talk about climate change again, Nick?”

     “I don’t know, does climate change explain why the bear would have fucked with the radio?” Nick reached into the back seat and pulled out a thick, leather-bound tome. He always carried it with him , despite protestations from James that ‘monsters don’t live in the suburbs.’ He’ll learn, thought Nick and began flipping through the tome’s pages.

     “Five minutes out of Midway and you’re pulling out the Monster Manual?” James scoffed.

     “You know damned well, it’s not called that.”

     “It’s a manual for monsters. What would you like me to call it?”

     “It’s the ramblings of a drunken master who killed far more beasties than you or I. Now, I suggest you start driving, because the longer I go without a drink, the lower your chances of survival get.”

     “Right, like your other apprentices?” James put the car into gear and they were rumbling down the snow-covered highway again.  

     Nick rolled his eyes. For once, he had been completely honest with James when he hired him. Almost all his previous apprentices had died horribly at the hands of strange creatures, cannibal cults, or door-to-door salespeople with a grudge. Trouble was that James hadn’t believed him and thought it was all just a scare tactic. It didn’t help that the confrontation with the Cerberus had given him far too much confidence for his own good.

     James continued guiding them on their already harrowing journey to suburbia. Nick read through the pages of his master’s book, looking for creatures that lived in cold climates. There were far too many for an expeditious search. It seemed the old fool had catalogued everything, even a yeti, a creature most believed to be extinct. Finally, after looking specifically for entries tagged with ‘Found in Urban Areas’, Nick came upon The Wendigo.

     The beast was originally of Native American origin, but in the modern world had become more of a general horror. Nick read on. Wendigos are one of the trickiest beasts for a hunter to encounter. While I am fairly certain I have never run across one, there is no way to be sure as Wendigo are well versed in psychic warfare. When they aren’t roaming the forests looking for fresh prey, they can disguise themselves in human form.

     James pulled off the highway and onto a street lined with identical houses. To differentiate themselves, the various owners had littered the outside with colored lights. Nick looked out the window and saw an inflatable Santa Claus rocking back and forth in the strong winds. “Why did it have to be the suburbs?”

     “Oh, shut up and enjoy it.” A wide grin was plastered across James’s face.

     Nick was distracted by his puzzlement. In their short time together, James had been nothing more than a dour, sarcastic ass. How was the kid not panicking about the creature or the radio? Nick shook his head and continued reading. What’s worse, Wendigos are so persuasive in their appearance that they can force false memories on their prey. Nick stopped as a few pieces clicked together. “Hey James, how did you say you know these people again?”

     He laughed. “They’re my family, Nick. Well, not blood-related, but they were around all the time when I was a kid. You know, the kind of people you call aunt and uncle even though they’re not?”

     Nick didn’t have the slightest idea what the hell James was talking about. Holiday cheer at the Ventner household was found at the bottom of a candy-cane-stuffed rum bottle. Between that and re-runs of the same fifteen movies on television, the holidays passed in a fuzzy blur. “But you’re not blood related? Interesting.” Nick turned back to the book.  

     “What are you reading about?”

     “Probably nothing, don’t worry about it.” The entry didn’t say anything about radio frequencies or messing with electronics, but Nick supposed with a psychic being, that wouldn’t be too far off the mark. “How much farther?”

     “Five minutes. Enjoy the view. Isn’t this nice?”

     “Sure, kid, this is nice.” The words tasted like vomit. Somehow, over the course of their drive, the holiday lights had grown more prevalent. Nick looked out the window at the glittering houses and felt an empty feeling. Something wasn’t right, he was pretty sure of it. A queasy feeling sloshed around in his lower stomach. All at once, he felt the contents of the flask he had drained. Maybe it’s just that, he reassured himself.

Second chapter will be uploaded soon! There will be a total of five chapters, all out before Christmas. If you like it, consider sharing the story around, I’ve recently deactivated Facebook, so word of mouth is all we’ve got!

Star Wars – The Re-Review – Return of the Jedi

Finally, after making my way through the ‘extended flashback’ that was the prequels, it’s back to the mainline trilogy. As a quick check-in, that means I have three films left to review in the fourteen days until Episode 9 releases. I’ll do my best to get a review for Episode 7 soon and Solo/8 following shortly after. Meanwhile, here’s a quick update on where the rest of the movies ranked: Rogue One (3.5/5)A New Hope (4.5/5) The Empire Strikes Back(5/5)The Phantom Menace(2/5), Attack of the Clones(.5/5), and Revenge of the Sith (3/5).

For as long as I can remember, Return of the Jedi has been my favorite film in the Star Wars franchise, and while there are a few scenes that warrant that, I’ve found more issues on my rewatch than I expected. Coming hot off the heels of the prequel trilogy in this watch order, it’s easy to see Return as a masterpiece, but comparing it to Hope and Empire, it’s got some real problems. First and foremost, the idea of re-hashing the conflict from Hope. It’s no secret, George Lucas didn’t think he was going to get a full trilogy when he made Hope, so he moved the trilogy’s climax to the first film. Years later, we get to Return of the Jedi and rather than trying something new, we just get a second, more vulnerable Death Star.

At least we got this line

Aside from that, Return’s plot does host some high points for the series. Ian McDiarmid made his debut as The Emperor, and his performance is fantastic.  Sure, his character does quite a bit of monologuing, but it’s hard not to be captivated by his sarcastic, confident demeanor. The Emperor is a wonderful villain, and it’s through the lens of his expert manipulation that the audience is finally able to feel some sympathy for Vader. Now, that sympathy doesn’t go a long way once you’ve seen Anakin murder children in Sith, but looking at the original trilogy on its own, it works.

It’s also fantastic to see the trio of Han, Luke and Leia back together after they spent so much of Empire apart. The three of them had amazing screen chemistry, and it’s really a shame that this is the last film we get to see them all together in. Hamill continues to build on Luke’s character, leaning into the calm, collected, deadly nature of a Jedi. This change is apparent from the first moment he comes on screen, strolling into Jabba’s palace like he owns the place.  His farm boy and willful apprentice aesthetics are gone, and in their place is a true hero. Through these character developments, Hamill manages to steal most of the scenes he’s in and for the first time, doesn’t feel like he needs to be propped up by side characters.

One of the best exchanges

In fact, that’s a theme felt through the entire cast. Every character in Jedi feels like they could stand on their own and carry the film. It makes their interactions even more of a joy to watch, especially in the first half of the movie where they’re given plot to work with. The 20-30 minutes where the team is rescuing Han is easily one of my favorite moments in Star Wars. Jabba’s palace is an incredible set piece with unique aliens around every turn and all sorts of crazy shit (see dancing twileks and carnivorous beasts in the floor) that feels right at home.  My only complaint about the first half of Jedi is Boba Fett going out like a punk. There was a lot of potential in that character, and he’s gotten life in the expanded universe of books/comics, but I would have loved to see more of it on screen.

RIP little buddy

Now, that’s the good half of the movie, the back half has some serious issues, and a lot of them stem from George Lucas getting a little merchandise happy. The entire sequence on Endor, while fun, does seem like it’s just him being determined to get teddy bears in the film, so he can sell more toys. The whole battle on Endor ends up feeling silly compared to the dark tone of the rest of the film, especially when it’s being directly contrasted with Luke’s struggle against the emperor. That’s a real shame, because for a lot of the movie, Return boasts one of the darker plots of the franchise (second to Rogue One and the last 20 minutes of Sith).

Watching the film’s protagonist struggle with the very force that overthrew his father is fascinating and makes the film feel like it’s got real stakes. That’s even more apparent watching it on the heels of Sith, because it’s clear how quickly a Jedi can turn. The final saber fight between Luke and Vader is methodical, but more importantly telegraphs a bigger struggle behind the scenes. There are some flashy flips and a couple of saber twirls, but for the most part, they’re hitting with powerful, targeted strikes. When Luke finally lets the anger out and cuts off Vader’s hand, he’s on the razor’s edge, and for a moment, there is genuine uncertainty that he will remain good.

Luke gets electrocuted for a while in this film…

Meanwhile, ignoring that heavy plot, the movie is content to ping-pong back and forth to the murderous little Ewoks thrashing the Empire. It puts the film off balance for me, and creates tonal inconsistency, which as I’ve said in other reviews, is a serious pet peeve of mine. This only got worse in the nineties remaster with the addition of crazy bug musical numbers, beaked sarlaacs, and more. Don’t get me wrong, that musical number in Jabba’s palace is weird and wonderful, but it doesn’t feel like it belongs with the rest of the movie. It’s like Lucas had two very conflicting ideas of how the movie was supposed to go and rather than reconciling them, smashed them together and called it good.

But, we got the original Thicc Boi

Of course, it’s the original trilogy and there had to be a popcorn ending, but it could have felt more earned if the film had maintained a darker tone until the end. Really, almost every part of the film aside from Endor maintains that aesthetic and it’s sad to see it cheapened. Still, through it all, the final battle and Vader’s sacrifice are an emotionally satisfying conclusion to the saga. Personally, I would have been fine seeing the franchise end at Jedi, even with some of the excellent films we got after. It wraps things up nicely and still left plenty of openings for fan fiction and the expanded universe to fill gaps. But, as Yoda said, there is another…

Star Wars – The Re-Review – Revenge of the Sith

The light at the end of the tunnel is near as I have reached the end of the much-maligned prequel trilogy. Coming hot off the heels of Attack of the Clones which was a wholly painful experience, Revenge of the Sith felt like a breath of fresh air. Don’t get me wrong, it doesn’t touch the originally trilogy as far as quality, but as far as the prequels go, it feels like the most Star Wars of them all. Links to past reviews:  Rogue One (3.5/5)A New Hope (4.5/5) The Empire Strikes Back(5/5), The Phantom Menace(2/5)  and Attack of the Clones(.5/5).

Revenge works as well as it does, because Lucas finally learned his lesson and started playing to his strengths. Rather than beginning the film with lengthy exposition or political intrigue outright, Revenge opens on a space battle, and a pretty good one at that. The visuals still look good to this day and it’s the first time we’re shown space warfare on a massive scale. Previous films focused on small squadrons of recognizable pilots, but Revenge shows us huge capital ships exchanging cannon-fire (yes, old-timey, naval cannon-fire). Pilots are ripped from their spaceships after they explode, floating into the cold, void of space, and from the outset, it’s clear the film is going for a darker tone.

My biggest issue with the film’s opening is the wooden banter between Obi Wan and Anakin. What I think Lucas was trying to do was demonstrate how calm a Jedi is, even in battle, but it makes the whole scene feel a bit stilted. A little emotion in these lines could have made the banter more playful, but instead, it’s stale. There’s a point in the opening where Obi Wan is on death’s door, and neither Jedi seem particularly disturbed by it. If this was consistent throughout the film, I might mind it less, but feeling too much for family who’s dying is kind of Anakin’s whole thing.

Remember this great, little character moment?

Character inconsistency, ironically, seems to be Anakin’s most enduring trait. Throughout the film, he ping pongs between extremes, playing the part of good Jedi padawan and murderous psychopath without much room in between. Like Clones, none of Anakin’s character decisions feel earned. At the beginning of the film he is conflicted, but on a good path, yet in the course of a fifteen minute interaction with Palpatine, he’s suddenly game to murder younglings and forsake the order that literally freed him from slavery and gave him a home. In my opinion, it would have helped to spread this darkness out across the movies more, which I think Lucas attempted (see Tusken Raider murders in Clones). Unfortunately, there’s no weight to it until suddenly there is, and that makes Anakin’s transformation almost laughable.

The problem is that Sith is so pre-occupied with tying up all the loose ends leading into A New Hope that it doesn’t give any of the plot points time to breathe. The entire back half of the film seems like it’s just there to create plot consistency (and a few holes). If anything, it feels like we could have used another movie to help stretch some of the choices out. In the last thirty minutes, we see the fall of the Jedi almost in their entirety, Anakin’s complete reversal from Jedi to murdering Sith, Padme’s death, Luke and Leia being hidden, Obi Wan and Yoda raiding the temple, the list goes on. I could have used one more movie to dive deeper into Anakin’s turn and watch how the mechanics of that played out, but sadly, I’m sure it would have turned out poorly.  

This makes Vader hard to sympathize with in Return of the Jedi…

Luckily, Anakin is finally paired with some decent supporting characters, and with their help, his journey is a lot more watchable this time around. Ewan McGregor hits his stride as Obi Wan in Revenge and it’s a joy to watch his take on the character. Likewise, Ian McDiarmid’s return as The Emperor is fantastic and I can’t wait for him to reprise the role in Episode 9. With Obi Wan as the protagonist and The Emperor acting as the antagonist, Anakin is almost relegated to a side character, caught between titans, and that works so much better. If the rest of the films could have focused in the same way, I think we would be left with a different, far better trilogy.

Unfortunately, one character in particular is once again shortchanged and misused. Padme is reduced to crying, pregnant, lady with nothing to do other than weep over Anakin and die. It’s astonishing to me that Lucas created a character arc for her that is so cataclysmically bad. Padme had a ton of interesting directions to go, but it’s like all her traits from Menace were forgotten in favor of servicing Anakin’s dark broodiness. It’s one of the greatest shames of the prequel trilogy, and the creators should truly be ashamed of it. Even worse, Padme’s death at the end of Sith creates a plot hole, because Leia says she remembers her real mother in Return of the Jedi. Having Padme run off to hide the children from Anakin would have been a stronger character decision and might have made her feel just a little bit more valuable in the grand story arc.

Fuck this noise

Characters aside, the plot of Sith is also marginally better than either of its prequel predecessors. The arc of the film feels focused, and substantially darker than any of the films that came before it. There are more hands chopped off in this film than the rest of the prequel and OG trilogy combined. Don’t believe me? Here’s a chart of hands lost per film. Go ahead, take a look, I’ll wait.

Brought to you by Microsoft Excel and some googling

Sith houses some of the darkest scenes in the entire Star Wars franchise. In the two- and half-hour runtime, we get decapitation of beloved villains, mass child murder, and watch Anakin burn alive after Obi Wan cuts both his legs and one of his arms off. Obi Wan straight up stands there and watches Anakin burn to death rather than putting him out of his damn misery. Overall, I think this was the right tone to end the prequels with even if it wasn’t executed right. With a little more thought into why the character decisions had to be so god damned dark, this could have been one of the best films of the lot.

Overall, I like Sith the best out of the prequel trilogy by a mile. For the most part, its supporting cast is excellent, it finally gets its focus right, and Lucas leaned into the things Star Wars does best: saber and space battles. Where the film really stumbles is how it treats Anakin and how rushed his story feels. At the end of the day, the prequels were set up to be Anakin’s story, and as the credits roll, that story is complete, but doesn’t feel satisfying. While I can see the steps Lucas took to make Anakin’s turn to the dark side seem more gradual, it wasn’t enough and the ending still feels sudden. It hurts, because the prequels have so much potential, but they’re just not up to snuff for the rest of the franchise.

As a bonus round, Sith produced some of the best damned memes in the entire franchise, so, head over to r/prequelmemes and treat yourself. It helps get that Attack of the Clones taste out of your mouth.

What is A Man of the Mountain?

Hello everyone, if you’ve been following me on social media recently, you’ve probably seen me talking about my latest writing project, A Man of the Mountain. So, I figured I’d take a second and answer some questions about what it is exactly.

What is it?

A Man of the Mountain is a prequel novella (think shorter book) to my first novel, Whiteout. BUT, you don’t have to have read Whiteout to enjoy this. It stands completely on its own and if anything, might be more fun to listen to before the novel.

In an unconventional twist, we’re releasing it as an audio-drama before putting out physical copies. What’s an audio drama? It’s basically an audio book with higher production quality, more sound effects, and a cast of different people reading different characters. Leigh James, a man we met on Reddit, fits given that I met my publisher on Craig’s List, recorded most of the narration, found all the actors, sound effects, and music for this. He did an incredible job, and is the real hero here 🙂

How much does it cost?

That’s the beautiful thing, it’s FREE! You can listen now on any platform you get your podcasts from: Spotify, Apple Podcasts, Stitcher, and six others. You can also listen to it on the player below:

Now, that doesn’t mean we’re not going to sell it eventually! The episodes will always be free on your podcasting platforms, but in a month or so, we’ll be releasing the full audiobook for those who don’t want to wait for the episodes to release.

In addition, we’ll be selling the novella in e-book and physical formats, beginning on the day the last episode drops, 3/3/20. Pre-orders are live for the e-book with paperback/hardback coming soon.

Episodes release every two weeks!

What does this mean for your other podcast?

TWO CHRISTMASES! I’m still working on Cryptids Decrypted and will still be putting out around two episodes a month. In fact, next week, I’ve got an awesome episode releasing where I interviewed David George Gordon about inter-dimensional sea/lake monsters. It’s pretty fantastic. If you don’t want to wait for me to edit it, I’ve put up the raw interview video. Apologies in advance for the quality, I blame Skype and my lack of lighting knowledge.

Bonus Round: When is the full sequel to Whiteout coming?

We haven’t pinned down a date yet, but likely sometime in the first half of 2020! It’s called Downpour, and here’s a link to a sample of the first few chapters. Call it your reward for making it this far in the post 🙂