Stop motion animation feels more important now than it has ever been. At a time when we’re all being pushed to take shortcuts and art is being devalued at an alarming rate, it brings me comfort to know that the animators at Laika spent over a decade bringing Wildwood to life.
You Can See Everything (2026) Directed by: Nathan Fielder, Lance OppenheimGenre: DocumentaryRuntime: 174 minutes (2h 54m)Rated: R for language and some graphic nudityDistributor: A24Release: October 16 When I first watched The Rehearsal, I thought we had found peak Fielder; I was wrong. You Can See Everything is a masterful documentary that is difficult to describe … Continue reading You Can See Everything Kept Me On the Edge of My Seat for Three Hours
Zach Cregger created a near-perfect videogame adaptation. Resident Evil not only does the games justice but also earns its own place creatively by being unique.
Half of all proceeds from book sales would go to ActBlue (an organization to help democrats get elected and end Cheeto Man’s reign). Today I’m going through how many books I sold so far, breaking down the data a tad—I am something of a scientist after all—and then sending out the first quarter’s donation.
I’ve always had a thing for the movies. Some of my earliest memories are connected to the silver screen. I can vividly remember watching E.T. for its theatrical re-release in the early nineties and having my mind blown. As I got older, I saw everything I could. Genre didn’t matter, critic score didn’t matter (I’ve gotten pickier these days); if I had $6.50—yes kids, and ice cream was a nickel—I was going to the movies.
Maybe 2025 was just the right year for a dark comedy about a man pretending to be sasquatch, maybe I just got algorithmically lucky. Either way, it was a bumpy ride to get there.
The film has heart, action, and a premise that should feel cheesy, but somehow isn't. It's been almost fifty years since Stephen Spielberg released Close Encounters of the Third Kind and somehow, over the intervening years, that DNA has not been lost.
One thing is very clear, Timothée Chalamet wants that little gold statue, and he’s going to keep playing pieces of sh** until we give it to him. Look, we didn't give him the Oscar this year (for good reason, Michael B. Jordan ruled in Sinners), and he's surely going to go full Leo in The Revenant. I'm here to see where he goes after Sci-fi Sand Movie Part 3.
Alex Garland isn't interested in making a 28 Days Later sequel, but what he did make is far more interesting.
This week, I've brought you a story inspired by the idiocy that is wartime escalation policy. I wrote this a few months ago, but it's feeling timely with all of our newfound conflict abroad. The black humor will continue until moral improves.
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