Stop motion animation feels more important now than it has ever been. At a time when we’re all being pushed to take shortcuts and art is being devalued at an alarming rate, it brings me comfort to know that the animators at Laika spent over a decade bringing Wildwood to life.
You Can See Everything (2026) Directed by: Nathan Fielder, Lance OppenheimGenre: DocumentaryRuntime: 174 minutes (2h 54m)Rated: R for language and some graphic nudityDistributor: A24Release: October 16 When I first watched The Rehearsal, I thought we had found peak Fielder; I was wrong. You Can See Everything is a masterful documentary that is difficult to describe … Continue reading You Can See Everything Kept Me On the Edge of My Seat for Three Hours
Zach Cregger created a near-perfect videogame adaptation. Resident Evil not only does the games justice but also earns its own place creatively by being unique.
The film has heart, action, and a premise that should feel cheesy, but somehow isn't. It's been almost fifty years since Stephen Spielberg released Close Encounters of the Third Kind and somehow, over the intervening years, that DNA has not been lost.
One thing is very clear, Timothée Chalamet wants that little gold statue, and he’s going to keep playing pieces of sh** until we give it to him. Look, we didn't give him the Oscar this year (for good reason, Michael B. Jordan ruled in Sinners), and he's surely going to go full Leo in The Revenant. I'm here to see where he goes after Sci-fi Sand Movie Part 3.
Alex Garland isn't interested in making a 28 Days Later sequel, but what he did make is far more interesting.
When someone tells you there’s a book about a Seattle man in crocs getting stuck with his ex’s Persian cat and hunting goblins in a subterranean dungeon-based gameshow, you pick up a copy.
Superman (2025) has heart, it has humor, and it takes the Man of Steel in a direction that is interesting and human.
28 Years Later is deeply weird—in the best way possible. While it’s still a zombie movie at its core, it also doubles as a surrealist meditation on death, managing to hit hard emotionally. Danny Boyle sheds some of the tension and horror that defined earlier entries in the franchise, and in doing so, creates something new.
Friendship (2025) feels like an extended play of Tim Robinson’s I Think You Should Leave Half the jokes are laugh-out-loud funny, while the other half made me want to see just how far I could press into my theater seat.
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